I struggled greatly with this sixth and final blog entry. It seems—to no surprise of mine—that my area of authority scarcely borders on music of any type, Indian music perhaps least of all. I find myself trekking uncharted territory. Coincidentally—should that be taken in a literal sense—it would put me quite at home. However, trapped in the realms of the figurative, I probe with all the grace of a blind man trying to summit one of the peaks whose coarse and rocky faces are all but memorized by me. I suppose we all started somewhere.
It’s odd how difficult it seems to be to describe the effects of something that inherently should evoke emotion. Perhaps the issue lay not in the evoking but rather in the describing, but I doubt it. For if I was asked to convey my ponderings and considerations when I stood, alone, atop some barren and snowy crag, the only sounds the whipping wind and my pounding heart, my thoughts would brim and spill out as words onto paper. Here; however, I am left to ramble: so distant off topic that I couldn’t be found with a map. Meanwhile the nine odd minutes of classical Indian instrumental I have chosen plays on repeat in the background, if only to remind me that I am nine minutes nearer the deadline.
A sombre, haunting flute dominates. Drums—seemingly struck only by hand—provide a continual background presence that speed and slow at the request of the flute. Occasionally it is supplemented by the delicate plucking of a stringed instrument that’s name I do not know and likely could not pronounce if I did. It’s something like what I imagine might be played at base camp before an attempt at Kangchenjunga, arguably the most difficult summit anywhere on Earth.
I chose this piece, I suppose, because its instrumental nature permitted me to focus—however futile my focus was—on what it was trying to convey, while not having to consider the aspects of both vocal and instrumental contribution. With the video only displaying the occasional still of the revered musician who played this piece, my mind is left to concentrate on the music without diluted attention. My thoughts again diverge, pausing on images of fluttering prayer flags and blowing snow. Between the wind gusts, the bustle of anxious preparation and a dozen strange languages sound off. Meanwhile an Indian guide, his face aged by the unending wind and the frying of high altitude sun, completes his morning prayers and plays his flute in the hopes that The Five Treasures of the High Snow will pardon his intrusion and spare his life once more in the coming days.